楊佳璇

1982年生於台南。畢業於台南藝術大學藝術史與藝術評論研究所，目前（2024-）於絕對空間藝術進駐擔任專案計畫經理，過去曾任《藝術觀點ACT》執行編輯。2012至2018年初於台南主持藝術空間「齁空間」。2012年起，陸續參與《在微光下——從南方出發，台南藝文空間回訪1980-2012》（2012）、《風動_南台灣新風格展覽檔案記錄1986_1997》(2018)、《流變的展覽：北縣美展與前衛實驗》(2022)書籍出版。近年重要策展：嘉義市立美術館「位移的凝視」（2022）、新竹市美術館「物境與塵光」（2023）、臺南文化中心「展場誌：觀看者-維護者-空間的對話術」（2024）。

Born in Tainan in 1982, She was graduated from the Graduate Institute of Art History and Art Criticism at Tainan National University of the Arts. Since 2024, She has served as the Project Manager for the Absolute Space AIR. Previously, she was the executive editor of ACT: Art Critique of Taiwan. From 2012 to early 2018, She managed the independent art space "Howl Space" in Tainan.
Since 2012, She has participated in the publication of books including In the Twilight—Starting from the South: Tainan Art Spaces, 1980-2012 (2012), Moving Wind: Modern Art Exhibitions of South Taiwan, 1986-1997 (2018), and Exhibition in Becoming: Taipei County Art Exhibition and Experimental Art 1992-1997 (2022).
Recent curatorial projects include The Displacing Gaze at Chiayi Art Museum (2022), Material, Landscape, Dust and Light at Hsinchu City Art Gallery (2023), and Exhibition Space Diary: The Dialogue Between Viewer, Caretaker, and Space at Tainan Cultural Center (2024).